Wm James on
the perennial attraction of the cross is echoed in Robert Lowell’s Prayer
for the Union Dead - “he rejoices in
man’s lovely, peculiar power to chose life and die.” Lowell would have been
familiar with James’s Varieties of Religious Experience. As the reading runs deeper, sacrifice returns
with Jung, seeing the direction of the adult life-energy broadly channelled – canalised
- towards rebirth, utilising the unconscious as the ‘creative matrix of the
future… establishing a relationship between ego [consciousness] and the unconscious.’
I won’t confound myself offering more. ‘Nietzsche
probably means something of the kind in his poem:
Why hast
thou enticed thyself
Into the old serpent’s Paradise?
Why hast thou stolen
Into thyself, thyself?
Into the old serpent’s Paradise?
Why hast thou stolen
Into thyself, thyself?
A sick man
now,
Sick of the serpent’s poison;
A captive now
Who drew the hardest lot:
Bent double
Working in thine own pit,
Encaved within thyself,
Burrowing into thyself,
Heavy-handed,
Stiff,
A corpse –
Piled with a hundred burdens,
Loaded to death with thyself,
A knower!
Self-knower!
The wise Zarathustra!
You sought the heaviest burden
And found yourself.’
Sick of the serpent’s poison;
A captive now
Who drew the hardest lot:
Bent double
Working in thine own pit,
Encaved within thyself,
Burrowing into thyself,
Heavy-handed,
Stiff,
A corpse –
Piled with a hundred burdens,
Loaded to death with thyself,
A knower!
Self-knower!
The wise Zarathustra!
You sought the heaviest burden
And found yourself.’
Frederick Nietzsche |
Perhaps this
brings Pound’s The Return, to mind. And we might find deeper significance
if we bear in mind Christ’s last journey through Jerusalem. Jung concludes his passage on what it is the
hero carries – the burden is himself – noting :
‘As Gerhart Hauptmann says: “Poetry
is the art of letting the primordial word resound through the common word.”
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